Zoë Sheehan Saldaña
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Zachary Rawe, “Stark Labor,” Title Magazine, March 10, 2015.
Glenn Adamson, The Invention of Craft, Bloomsbury (London and New York), 2013.
Zoë Sheehan Saldaña, “Folio,” Objets en procès/Objects in Progress: Après la dématérialisation de l'art/After the Dematerialization of Art, ed. Ileana Parvu, Metis Presses, Switzerland, 2012.
Zoë Sheehan Saldaña, “How To Make a Strike-Anywhere Match”, Journal of Modern Craft, vol. 5, no. 2, pp. 215-224, July 2012.
Laura McLean-Ferris, “Chain Chain Chain,” Art Review, p. 103, no. 56, Jan/Feb 2012
Kris van Assche and Barbara Polla, “Draw Me a Gaze,” Londerzeel, no. 2, Oct 2011.
Erin Riley-Lopez, Multiple, Limited, Unique (exhibition catalog), Center for Book Arts, New York, 2011.
Elizabeth Ferrer, 30: A Brooklyn Salon (exhibition catalog), BRIC Arts Media Brooklyn, New York, 2011.
Glenn Adamson, “Firm Following,” Crafts Magazine (UK), no. 230, p. 43-47, May/June 2011.
Robert Klanten et al., Art and Agenda: Political Art and Activism, Gestalten, Berlin, 2011.
Julia Bryan-Wilson, “Sewing Notions,” Artforum, vol. 49, no. 6, p. 73-74, February 2011.
Sarah Schmerler, “The Artful Imposter,” Fiber Arts, vol. 37, no. 2, p. 34-35, Sept/Oct 2010.
Zoë Sheehan Saldaña, “Handmade Paper Imposters,” Fiber Arts, vol. 37, no. 2, p. 24, Sept/Oct 2010.
Michael Shaw, “Saldaña in Mid-Wilshire,” ARTslant Los Angeles, October 5, 2009.
Lara Taubman, “Endless Summer,” Artnet, October 15, 2009.
Dan Goddard, “Works mix media, tackle issues,” San Antonio (TX) Express-News, p. 5H, October 12, 2008.
Elaine Wolff, “Fotoseptiembre Week 1: Missing inaction,” San Antonio (TX) Current, p. 25, September 3, 2008.
Paul Ardenne & Barbara Polla, Working Men: Art Contemporain et Travail, Luc Pire/QUE, Belgium, 2008.
Marie Maertens, “Arty Denim,” W.A.D./We'Ar Different (Paris, France), no. 37, p. 231, September 2008.
Kelly Baum et al., Transactions (exhibition catalog), Blanton Museum of Art, The University of Texas at Austin, 2007.
Kelly Baum, “Public Address: Preliminary Thoughts on Alternative Systems of Distribution,” ArtLies, no. 53, p. 46, Spring 2007.
Anne Galloway, “The Ghost in the Machine,” Montpelier (VT) Times Argus, p.D1, July 13, 2007.
Jane Van Lanschot Hubrecht, “Project Placement,” Contemporary, no. 92, p. 71, June 2007.
Pamela Scheinman, “Altered, Stitched, and Gathered,” Fiber Arts, vol. 33, no. 5, p. 52, April/May 2007.
Emmanuel Grandjean, “Analix Forever expose l'art de la subversion en douceur,” Tribune de Geneve (Geneva, Switzerland), p. 30, January 19, 2007.
Daniel Morgan, “Exploring Exhibits Before It's Too Late,” New York Sun, January 4, 2007, p. 10.
Samuel Schellenberg, “Expo Subversive,” Le Courrier (Geneva, Switzerland), p. 20, December 8, 2006.
Janeil Engelstad, “Play” (catalog), Lillstreet Art Center, September 2006.
Philip Berger, “Play,” Time Out Chicago, no. 83, September 28 - October 4, 2006.
Sarah Schmerler, “Point of Purchase,” Time Out New York, p. 64, no. 567, August 10-16, 2006.
Andrea Miller-Keller, “Zoë Sheehan Saldaña: Shopdropping at Wal-Mart” (brochure), Real Art Ways.
Jeff Weinstein, “Shopaholics, Is This the Last Good Buy?,” Philadelphia Inquirer, 5 October 2005, p. E1.
Benjamin Genocchio, “Clothes Bought Off the Rack and Secretly Put Back On,” New York Times, 2 Oct. ‘05, sec. 14, p. 19.
Leila Suwwan, “Artistas subvertem consumo com cópias,” Folha de Sao Paolo (Brazil), 2 October 2005, p. E6.
Korky Vann, “Swap and Shop,” Hartford Courant, 26 September 2005, p. D1.
Benjamin Genocchio, “Shopgifting,” New York Times, 25 September 2005, sec. 2, p. 6.
Jonathan Fardy, "Bit Logic at GASP," Big, Red and Shiny, no. 27, 19 September 2005, www.bigredandshiny.com.
Jeffrey Hoone, Zoë Sheehan Saldaña: Meanwhile (catalog), Contact Sheet #30, Light Work.
Katherine Rushworth, “Digital Masterpieces,” Syracuse Post–Standard, 6 February 2005, p. 25.
Marisa Jahn, “Shopdropping,” Crosswalk, no. 2, vol. 1, p. 18.
Allys Palladino-Craig, Terrestrial Forces (catalog), Florida State University Museum of Fine Arts.
Alia Akkam, “Under a bridge, a span of styles,” New York Daily News, 14 October 2004, p. 52.
Jeffrey Hoone, Light Work Annual 2002 (catalog), Contact Sheet 117, Light Work.
William Zimmer, “When humble materials interact,” New York Times, 9 June 2002, p. CT11.
Nicole Edwards, “Photo exhibits stretching limits,” Poughkeepsie Journal, 18 January 2002.
Carolyn Wyman, Jell-O: A Biography, Harvest Books/Harcourt, Inc., 2001.
Anne Umland, New American Talent Sixteen (exhibition catalog), Texas Fine Arts Association (now Arthouse).
William Jaeger, “Crafting an art debate,” Albany Times Union, 24 November 2000, p. D1.
William Zimmer, “Among a show of drawings, looking for ones with bite,” New York Times, 14 May 2000.
Ellen Comerford, “Niagara’s Castellani Museum gets sticky with (Jello)3,” Niagara Gazette, 4 December 1997.
Channel 2 (ABC) News, Buffalo, New York, feature story, 16 November 1997.